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Kolor autopano giga 4 tutorial free
4). The workflow begins with the acquisition of giga panoramas that cover a a photogram juxtaposition in the order of 40% with Kolor Autopano Giga. Autopano Pro and Autopano Giga are available for Windows, Linux and Mac. There are native bit and bit versions and the user-interface is available in 9. In the last part of this tutorial dedicated to photo stitching with Autopano Giga, we’ll finally render the panorama. In the window “Launch.
Kolor autopano giga 4 tutorial free
If it says the synchronization is precise move on to Step 3. If not i. Note 1: Take your time with this step! You really want to get this right! Note 2: In certain cases, the algorithm may question the result even though the synchronization may be perfectly fine. Create a reference panorama Choose a point in the video on the timeline that represents the video as a whole. Avoid moments when objects are very close to the camera such as doorways.
The reference panorama is created and appears on the bottom of the screen and, if selected, in the preview window. If you are satisfied with the result go on to the next step. If not, create another reference panorama. Here is the toolbar of the Panorama Editor Interface with the most important tools that you will definitely or most definitely need. Description follows in the next steps.
Save your progress. Control Points Editor : Control points are automatically created. The GoPro cameras in the Freedom to have more than enough overlap. However, if there is not enough structure in the environment you might need to correct or add control points to optimize the stitch.
Trace the lines from top to bottom click and hold. Exposure Fusion and HDR Allowing you to blend various color values from bracketed exposures, programmable exposure fusion lets you retain a consistent and realistic overall color balance in scenes with dramatic exposure differences—such as with backlit or scenes with strong contrast differences between the foreground and background.
Additionally, differentiating itself from exposure fusion, compatibility with true HDR file formats lets you retain an overall color dynamic range that exceeds the color space of standard screens. By exporting in the HDR or EXR file format, full color information is retained for further production in other dedicated wide-gamut applications. Geometry Panoramic Projections Ten unique projection methods can be used for showcasing your finished panorama, including Little-Planet, Panini, Hammer, Mirror Ball, Orthographic, and more.
Projections can be selected with a single click and previewed prior to final export. Adobe Lens Profile Calibration Support Support is available for Adobe’s Lens Profile calibration profiles, which allow you to automatically correct distortion, chromatic aberration, and vignetting based on the specific lens used during shooting. Straightening and Cropping of Panoramas Benefitting panoramas that include architectural components, a vertical lines tool lets you draw a straight line on an element that should be perpendicular, and then corrects the image in order to eliminate perspective distortion.
Pitch, yaw, and roll tools further provide you with perspective control and the horizon line can also be corrected automatically or manually for more level compositions. Automatic cropping is also available to preserve the greatest amount of image space while removing unwanted or unfilled regions of a composition. Export Preview Mode Helping to view your edits prior to exporting or completing changes, a dedicated Preview mode lets you gain an exact preview of your panorama before final renderings.
This saves both time and effort when fine-tuning the look of working with exposure fusion, moving object correction, and Mask tools. Stitching Presets To expedite your workflow, you can configure a range of various settings implementations to apply en masse to your panoramas. Color corrections, anti-ghost, and various algorithms can all be set to be applied automatically, or you also retain the option to manually adjust these settings for each image.
Batch Rendering and Exporting To alleviate the process of manually rendering each panorama, a batch rendering manager lets you queue up your projects for automated rendering.
When saving, you also have the option to apply your own naming scheme for each file, and you can choose to generate one file per group of images based on a specific criterion, such as the opening frame or bracketing settings. Interface Intuitive and Configurable Design An intuitive interface design makes controls and settings easily navigable and the background is set in a dark gray tone to help imagery standout as well as provide a neutral setting for making color adjustments.
Individual workspaces can also be saved to retain familiarity between working sessions, and the interface can also be customized to disable or move certain components or change the skin color of the individual windows.
Additional Features Pre-Stitching Plug-Ins Support for plug-ins is available to round out your workflow beyond the inherent scope of the application itself, and three plug-ins are currently supported: Neutralhazer Light, to remove unwanted haze from landscape photos; batch processing of images from third-party applications; and support for Adobe Lens Profile calibration files. This library continues to expand with additional plug-ins for even more control.
This support avails faster, more reliable stitching during post-production, even when images are comprised of hundreds or thousands of files. Given a much larger set though, the panorama detection algorithm is rather aggressive and may group images into panoramas even if they were shot using different focal-lengths.
One can easily add or remove images should Autopano incorrectly determine their contribution to a panorama. Stacking generally works well but occasionally failed to recognize a complete stack. Exposure Fusion is quite smooth with a reasonable amount of control. HDR remains very hard to adjust, so we had better success giving Autopano Giga images which were merged by third-party software.
Autopano Giga uses a very CPU intensive algorithm to produce such high quality stitching. This makes it slower than most software, even after two generations of technology improvements. It takes an unusually and disproportionately long time to perform Exposure Fusion or HDR Blending when rendering a panorama.
This particular version of Autopano Giga is surprisingly unstable. There seems to be a problem with multi-processing. There was a high number of crashes during the review. When running Autopano Giga on 8 core, it was unusual for rendering to complete!
Giving it more than one panorama to render speeds up crashing. With 4-cores only, there were still a high percentage of crashes but many panoramas did finish rendering. There was no problem at all when running on a single-core. Since minor upgrades are including in the license, we hope that Kolor will fix these problems soon. Autopano Giga is an excellent stitching software with a highly automatic and parallel workflow. It can produce any number panoramas without user effort beyond telling where to find sources images and a few button clicks.
Output quality is top notch with superb alignment and blending of images along seems. As they say, good things come to those who wait , and both these software take more time to render than their peers. However, the interface is designed to work on more than one panorama at a time and rarely blocks users. Based on its performance and simplicity, we can recommend Autopano for stitching panoramas, although there are certainly concerns regarding stability.
This probably depends on the specific environment, system and drivers, so we strongly suggest getting the free trial before buying. When it is working, the output is top-notch and it offers a high degree of flexibility to correct for typical panorama issues such as uneven exposure, subject movement, vignetting, etc.
You may need to shoot more images in these sequences. All this said, Autopano Giga 4 can work wonders with poorly captured image sequences. Whether pictures are taken handheld with a smartphone or compact camera or even using a professional DSLR mounted to a panoramic head, Autopano Giga 4 can handle the image sequence.
The software works with images from any camera, including Raw files. Our variety of panoramas are sequences made up of 10 images through to more than 70 images.
We have experienced how quick and effective the software is in creating high-quality panoramas. With the panorama sequences captured, it’s time to import the images. The whole image folder can be analysed, and each panoramic image sequence is automatically placed into a new Group.
At this stage a plugin can be applied. Neturalhazer deals with inevitable haze in the atmosphere that reduces the contrast in detail further away from the camera.
There are further Adobe Photoshop and Lightroom Plugins available too. Also, the group settings for Detection, Optimization, Panorama and Render can be adjusted, though the auto settings seem fine as they are. Our largest panorama group contained 72 images, which is a lot of data. It took the software around one minute to detect and create a stitched panorama from this group, ready for editing.
No concerns about software sluggishness here.