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Find help articles on all of our products plus support for your shopping and product licence questions. Go to the Knowledge Base. Video tutorials from getting started through to mastering the latest features, plus further training options. From setup to sound design and beyond — our growing collection of tutorials shows how you can make music with Push.

Learn the fundamentals of music making — beats, melodies, harmonies, basslines, and song structure — and make music right in your browser.

Learn the fundamentals of synthesis at your own pace with a powerful but easy-to-learn synthesizer that runs in your web browser. Check out chapters from the book. All over the globe, a growing group of trainers and institutions are offering approved Ableton teaching at all skill levels, both for individuals and groups.

Training in Helsinki: 1 trainers and institutions offer certified training in Helsinki. Not based in Helsinki? Find training near you. For beginners and seasoned users alike, Ableton User Groups are open to any Live user who wants to share their knowledge and learn from others in person.

Practice your finger drumming skills with Melodics, a standalone app that offers a great way to learn and refine your playing. Its free to download and comes with 20 lessons to get you started. Submit your sales questions. Need help?

Knowledge Base Find help articles on all of our products plus support for your shopping and product licence questions. Learn Live Video tutorials from getting started through to mastering the latest features, plus further training options. Watch Learn Live video series.

Learn Push From setup to sound design and beyond — our growing collection of tutorials shows how you can make music with Push. Watch Learn Push 2 series. Learning Music Learn the fundamentals of music making — beats, melodies, harmonies, basslines, and song structure — and make music right in your browser.

Get started making music. Learning Synths Learn the fundamentals of synthesis at your own pace with a powerful but easy-to-learn synthesizer that runs in your web browser. Get started making sounds. Check out the manual. Learn finger drumming Practice your finger drumming skills with Melodics, a standalone app that offers a great way to learn and refine your playing. Download Melodics for free. Submit your sales questions Chat with us.

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Welcome to Live — Ableton Reference Manual Version 11 | Ableton – Suggested Articles

 

Live will then create and organize individual takes from this recorded material, allowing you to piece your favorite parts together. You can also drag samples from your library and use comping as a creative sample-chopping tool. The CPU meter see Alternatively, the CPU meter can also be switched off entirely. By default, Live will not display the Current level; it must be enabled from the drop-down menu of the meter.

Hybrid Reverb see Spectral Time see Spectral Resonator see Chorus-Ensemble see Phaser-Flanger see Shifter see Redux see Align Delay see Shaper MIDI see Updated the appearance of the UI in the Tension see Sampler and Simpler now support MPE. The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface.

The Cytomic Filters, which are used in the Wavetable, Echo, Simpler, Sampler, Operator, and Auto Filter devices, have been updated and improved in stability, sound and performance. As of An update to the Softtube libraries may cause subtle sound changes in the Amp and Cabinet audio effects.

Follow Actions can now be assigned to scenes via the new Scene View. Clip Follow Actions will continue to run when a scene Follow Action is created or scheduled, however scene Follow Actions take precedence when triggered.

Essential automatic plug-in delay compensation is available, along with multiple automation lanes and track freezing for conserving DSP. Warping and real-time, time-stretch processing can be applied to any clips, and unlimited instruments, audio effects and MIDI effects can be utilized per project. MIDI clock synchronization and ReWire ensures that the software functions with external hardware and software.

Max for Live, based on Max 7 by Cycling ’74, comes with a collection of instruments, effects, and tools. Complex Pro is good for most things, especially vocals, as it compensates for formant shifting when transposing; but it can have an adverse affect on transients. Experiment with all the available Warp modes to find out which ones work best for any given situation. Use the Beat Time Ruler to zoom in on the clip, and drag over the second half of it to select it.

Repeat this action to duplicate the two beats again, for a total of two bars. This gives us a different rhythm to what we would have got if we had simply extended the loop.

Audio: New rhythm. Zoom in with the Beat Time Ruler so that the grid behind the clip displays eighth-notes, as shown above. Highlight the kick drum on the second eighth-note of the second bar, and press Delete or Backspace to delete it. This is because the digital audio signal is quickly moving from a nonzero to a zero value. We can prevent this from happening using a tool particular to audio tracks: the fade.

Audio: Clicks. Click it and select Fades from the menu that appears. Fade handles will appear on every audio clip.

Drag the fade handles before the edits to the left slightly, to create a short fade. The edits will now play back smoothly. Audio: Smooth edits. This is useful when working with sustained sounds like pads. A crossfade curve will appear. Another useful tool for inputting tightly sequenced parts is MIDI step recording, which is covered briefly in Live Secrets on p Activate the Metronome, then click Record and play any of the drum sounds along with it for a couple of bars.

When you click the Stop button or press the Spacebar, the new notes will be quantised to the nearest beat. If nothing is selected in the MIDI Editor, this will automatically affect all the MIDI notes in the clip; if one or more notes are selected, only those will be quantised. This powerful tool comes in three flavours: Melody, Harmony and Drums.

Melody is designed to work with monophonic material — ie, single instruments, such as a trumpet or bassline. Harmony works for polyphonic material like guitar, piano or synth chords.

Drums turns beats into MIDI and will even attempt to identify kick, snare and hi-hat sounds, playing appropriate samples back via a default Drum Rack. Using Audio To MIDI is as simple as rightclicking the audio clip you want to convert and selecting the required conversion mode, although the clip must be warped correctly first — see Warping audio clips on p There are a few things you can do to ensure optimal results, though, such as using high-quality audio sources; using parts where only a single instrument plays at a time; and using instruments with strong attack transients if possible.

You could even beatbox your own rhythms! All very clever, for sure, but has it captured the notes correctly? Solo the MIDI track and play it back to find out. Audio: Initial analysis. The easiest workaround for this issue is to simply delete the incorrect MIDI data. Audio: Deleting notes. Audio: Replaced chord.

Select the Instruments tab in the Categories section of the Browser, then click the arrow next to Operator in the Browser Content Pane to show the available Operator presets. Finally, play the parts back to hear how they sound together.

Audio: Layered piano. This leads us into the other half of this tutorial: creating your own custom Library content. Right-click this fader, and select Map to Macro 1. This sets up the macro, but it also lowers the parameter to minimum: dB. Left unchecked, this would be the default value for all Simplers created with the preset.

These are important, because we can use them to control the parameters of every instance of Simpler created by the slicing process — a lot more convenient than adjusting the parameters of each Simpler manually.

Setting up macros is as simple as that: pick a parameter and enter a default value. We want to be able to control how heavily velocity affects the volume of our slices, so right-click the Vel parameter below the Volume fader and select Map to Macro 2. Assign Transpose to Macro 3 and Detune to Macro 4, and set both of their default values to 0.

Set the Decay to ms, Sustain to 0. The Attack will be 0. A menu will appear, asking how you want the audio to be sliced. By default, one slice is created per transient, which is perfect — all we need to do is to tell Live to use our new slicing preset. In Places, select the User Library, then, in the Browser Content Pane, click the arrow next to the Defaults folder to see its contents. Drag your new Drum Rack into the Slicing folder.

A preset will appear in the folder, with its name automatically selected ready for you to enter. Drag Vintage break. For example, turning the Sustain macro down to -inf dB will result in a tighter drum sound, and we can further tweak the tightening effect by turning the Decay macro up or down. Audio: Tighter beat. This technique is particularly useful with EQ, enabling you to high-pass each slice with its own cutoff frequency — great for cleaning up classic funk breaks.

Audio: Reverb slice. With this active yellow-green rather than grey , whenever a new note is triggered, the previous note will be stopped dead. Turn on the metronome and click the Clip Launch button on the Congasbpm clip. Set the Quantization menu back to 1 Bar and turn the metronome off. Now open the Electronic folder in the Browser Content Pane and drag the first five clips to the top of the second track. Click the Clip Launch button on the Hats and Snare Stepbpm clip and it will start playing on the downbeat of the next bar.

You can change when new clips start playing with the Quantization menu. At the start of the next bar, the Deep House beat will start playing in time with the Conga loop. Stop the Conga loop by clicking one of the Clip Stop buttons on the first track, and the Deep House beat will carry on playing.

Click the one on row 3 to launch all the clips on that row together. This triggers any Clip Stop buttons in the Scene, too — click the Scene Launch button on row 5 and the clip playing on the first track will stop. Your jam has been recorded, but all the clips are greyed out.

To activate them, click the orange Back to Arrangement button to the right of the scrub area. Thankfully, the Capture and Insert Scene function can help you stay on top of it all. So, whenever you come up with a cool combination of clips, make sure you Capture and Insert Scene so that you can return to it. This can be useful when building up complex drum parts, layering melodies over the top of chords, or creating fills.

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What’s new in Ableton Live 9. Additionally, the Arrangement view has been optimized for quick creative editing and more efficient song creation. Live 10 Suite introduces a new synthesizer, Wavetable, which allows you to stretch, morph, and shape a wide range of waveforms into a rich and vast sound palette.

The software functions under both Mac and Windows operating systems. Note: This is an educational package for accredited academic institutions that requires proof of current educational status. What’s New in Ableton Live 10 Capture: Recall your best ideas after you’ve played them—Capture can turn what you play into MIDI clips, without having to think about recording Group Tracks: Mix with greater flexibility Use multiple levels of groups to mix with greater flexibility and manage detailed arrangements more easily Process individual group elements, a subgroup, or an entire bus Manage Sets more easily; even with lots of tracks and a detailed arrangement, you can use multiple levels of groups to quickly fold tracks together for a simple overview Workflow Refinements: Browser Collections: Keep your go-to devices, plug-ins, and samples close at hand.

Optimized themes improve visibility in all environments Edit Multiple MIDI Clips: Work with multiple MIDI clips across multiple tracks within a single view—in both Session and Arrangement Mixing Improvements: Improved gain range allows you to more effectively use Utility for volume automation, keeping the mixer free Utility: Updated multipurpose tool for adjusting gain, phase, stereo width, and more Bass Mono: Feature of Utility, coupled with the EQ Eight’s extended 10 Hz, low-frequency range, give you more precise bass control Split Stereo: Allows for flexible placement of individual channels in the stereo space Instruments Wavetable: Immediately playable, infinitely capable, Wavetable is a new synthesizer built by Ableton.

Stretch, morph, and shape a wide range of waveforms into a rich and vast sound palette. Audio Effects Echo: The sound of classic analog and digital hardware delays in a single device Pedal: Brings the analog character of overdrive, distortion, and fuzz stompbox effects Drum Buss: One-stop workstation for drums, capable of adding warmth, distortion, drive, compression, transient shaping, plus a dedicated low end section MIDI FX LFO: Updated with sync to modulate up to eight devices parameter with one device Shaper: Flexible envelope modulation device for creating custom modulation shapes Max for Live Upgrades: Drum Synths have been reworked with a complete sound upgrade and a broader sweet spot.

Plus, the updated LFO and other control devices let you modulate up to eight parameters from a single device Advanced MIDI Hardware Integration: Max for Live devices can now send and receive SysEx, allowing deeper access to synthesizers, including full preset backup dumps, parameter control and more. Max for Live can also create custom control surfaces for custom hardware integration Multichannel Audio: New audio routing capabilities in Max for Live mean that mixing for performances, installations, and theaters using multichannel speaker setups is now possible with the included Surround Panner device Packs Drum Booth: Contains carefully curated samples of acoustic kits recorded in a tight, dry room.

Great on their own or as reinforcement for electronic drums, Drum Booth also offers unique post processing options and experimental recordings not found in standard acoustic libraries Electric Keyboards: Features multisampled Fender Rhodes Suitcase, Wurlitzer A, and Hammond C3.

 

Ableton live 9 lite manual pdf by xing – Issuu.USER MANUAL Ableton Live 10 Suite – Music | Search For Manual Online

 
Operating instructions and pdf manual for use – Ableton Live 9 Suite – Music Production Software 55 GB free disk space for full sounds installation. User manual for the Ableton Live 10 Suite – Music contain basic instructions that need to be followed during installation and operation. ableton live 10 user manual (pdf).

 
 

Ableton live 9 suite manual pdf free

 
 
Views Downloads File size 22MB. This can sometimes get confused and muddled up, but there are things you can do to make it more accurate. Mac OS

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